I chose to place the sculpture low on this sandy base, almost as if it’s emerging from the earth or stranded here, as if it was washed up from the ocean. I wanted it to feel like you’d naturally stumble upon it as you walked in, so you’d be drawn closer, maybe even have to kneel down to really see the details. There’s something grounding about having it on the ground-it connects to themes of the earth and the sea that are so important to me. For me, this installation invites you to have a more intimate, tactile experience with the piece, almost like you’re discovering something ancient and alive.